Siddharth P Malhotra’s ‘Maharaj’ set was made on 9 acres land!
Filmmaker Siddharth P Malhotra shared a video in which he gave his audiences a sneak-peek into what went behind the making of the world of ‘#Maharaj’. The video reveals that it took over 700 workers to create the sets of the project. The makers also shared that the whole set was mounted on a 9 acres land and it took 10 months to complete.
Sharing the post on social media, Maharaj Director Siddharth P Malhotra wrote, “Here’s the making of the wonderful set designed by @amitray649 and @subratachskraborty when creating the period I had asked Adi I wanted to shoot in real locations to feel and smell the time on screen but thx to Adi and his vision for me to land a big cinematic experience film in #maharaj he empowered me with these genius production designers who designed sets which were magnificent and detailed in every way from props to carvings to finish ! Thank you Amit and Subbu sir and am so glad with #rajivravibrilliance we could do justice to your vision to empower my vision come to life ❤️🙌 enjoy the unit !!!!”
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‘Maharaj’ garnered widespread acclaim from both critics and audiences, achieving notable success on streaming platforms. Previously, it not only topped the top 10 charts in India but has also captured the number one spot in 22 other countries. Recently, Malhotra also took to social media to thank Aditya Chopra and the YRF team for their unwavering support. He wrote, “Once again, Adi allowed me to bring to life a story that needed to be told. I am overwhelmed by the love Maharaj is receiving. A simple ‘thank you’ seems inadequate for the immense gratitude I have towards you, Adi, and the entire YRF team.”
Malhotra also praised Junaid Khan, who made his debut with ‘Maharaj’. He remarked, “Junaid truly embodies the saying, ‘A fruit doesn’t fall far from the tree.’ His work ethic and acting prowess clearly reflect the influence of his father [Aamir Khan].” ‘Maharaj’ marked Malhotra’s return to the director’s chair after the 2018 blockbuster, ‘Hichki’.
By Keerti Kadam